Of Toolsheds and Marsh-Wiggles
A few minutes before the dawn of the New Year, I found myself on a steep and crowded street that overlooked most of the Auckland skyline. Most people (I included) aimed phones at the skyline in anticipation. A vague countdown began, and then the vast horizon blossomed with fireworks. I was struck by the sheer number of people fixated on recording, swaying their phones to and fro like wands by which memory and atmosphere could be captured.
The aim of this article is an indictment of modernity. As Michael Ward states: “The incessant spiritual orchestration that accompanies [the universe], that actually constitutes it, and that is normally inaudible, is now also considered incredible. The cosmos therefore comes to be regarded as nothing more than a very elaborate machine when in reality it is tingling with life…'”1 Ward claims that the medieval conception of the universe as a “festival not a machine” is now beyond belief.2 Our world has become disenchanted. In the words of Saturn by Sleeping at Last, we have lost the reality of, “How rare and beautiful it is to even exist”.
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